Turning a year and a half, the project releases a new version of the website. Its structure has basically remained as it used to be, but there are now some new features, as well as new sections.

The first version was all about the catalogue of David Sakoyan's works. The catalogue was primarily an exposition of short general characteristics (such as genre or creation year) of the compositions. Audio recordings were very scarce.

The new version still presents the same (gradually updated) catalogue, but its main focus is now the recordings of the compositions. They are still few, but new ones are regularly uploaded, primarily as a result of virtual orchestration. Thus, the website has become a publishing platform for the recordings, and it aims to be a place to listen to them. Of course, these recordings will also be published on other platforms, such as YouTube, SoundCloud, Facebook; probably on Spotify as well in the future. But a website format has its advantages.

Often new recordings require some commentary. Sometimes compositions have an interesting history or inspiration; sometimes their structure is complex, so an additional description could be helpful. The new version will provide such deails at individual pages of some compositions.

When a commentary is added to a piece it is reflected in a blog entry, which is yet another new feature of the site. It now has a blog, which can both feature some updates of the catalogue and contain some broader commentary regarding David Sakoyan's work.

Yet another upgrade is a mobile version of the site. The layout is now more adaptive and hopefully more universally convenient.

Last, the website now provides an API, a machine interface to its data. The Open Data section is solely an initiative of the website's developer who believes that if a website has a database and it exposes its contents at webpages, the data should also be available to users in a machine-readable format.